bio:
Peter Olds was born in 1944 in Christchurch, New Zealand. Had a play Loose Boards & Seagulls produced by Patric Carey at the Globe Theatre, Dunedin, 1967; was a patient at Cherry Farm Mental Hospital, 1968-9; followed James K Baxter to Jerusalem, 1970; read The Narrow Road to the Deep North, by Basho, and took up meditation. His publications include Beethoven's Guitar (Caveman Press, 1980), After Looking for Broadway (One Eyed Press, 1985), and Music Therapy (Earl of Seacliff, 2001). He was Robert Burns Fellow at Otago University, 1978. Currently working on Selected Poems (1972-1986). He lives in Dunedin.

Links:

  • University of Auckland Literature File

    The Party
         (with broken guitar)

    At first you don't notice it among
    the furnishings & potplants half hidden
    in a darker part of the room
    the broken guitar
    its neck bent
    strings curled round its head
    almost shameful in an otherwise cheerful room
     
    people drinking beer
    watching TV
    taking little notice of arrivals and departures
    clinking glasses on teeth for sound effect
    & in the hallway a small stereo tapping quietly
       by a bedroom door
    no one paying attention to the broken guitar
     
    At first you don't notice the urge to smash glass
    the floor crowded with spinning bottles
    the coffee-table slippery with wet light
    the walls sucked in like toothless mouths
     
    flopped in a beanchair
    the lights switched off
    a candlestub spluttering for effect
    it suddenly hits you like something you can't
       find words for
    & you reach for the guitar & start strumming
    & singing
    like mad


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    A Poetry Reading at Kaka Point

       1 
     
    We went for a walk  
    on the dark beach 
     
    ship's lights like crab's fires  
    far off  
    under low cloud 
     
    embers as big as ships 
     
     
       2 
     
    In the waxlit cafe  
    a poetry reading is taking place 
     
    a local bard is spouting  
    salt water 
     
    flying fish poems  
    wind poems  
    mellow explanations between humming poems 
     
    (a thin woman presses her  
    oyster eyes  
    to a fisherman's lips) 
     
    plates of asparagus  
    as big as flaxblades 
     
     
       3 
     
    We went for a walk  
    on the dark beach  
    & looked back at the watery window  
    of the cafe 
     
    a seal moved like a window dresser  
    arranging feathers  
    for visiting penguins 
     
    the roar of the sea drowned  
    all words but those of the sea 
     
     
       4 
     
    Peeing is not allowed  
    near water 
     
    I found a spot in shingle  
    behind the surf club & let go 
     
    a car's headlights  
    caught a drunk body  
    turning over in wet sand 
     
    no one to talk to  
    no one to talk to 
     
     
       5 
     
    We walked back to the cafe & helped ourselves  
    to asparagus rolls  
    the poetry reading had ended 
     
    people were smoking & drifting about  
    a penguin was running its feathers  
    through the window dresser's hair 
     
    two people were dancing to a 60s tune  
    without bumping  
    their bodies like bottles  
    their tongues like corks 
     
    the host was pouring wine like water  
    laughing & wheezing  
    words dripping through the ceiling 
     
     
       6 
     
    We drive home in silence  
    wrapped in feathery embers  
    away from the gathering water 
     
    headlights on flaxblades  
    as big as asparagus rolls


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    Lunch outside the Therapy Room

    It's hard to think properly  
    when people are talking loudly  
    outside the therapy room  
    & cars are revving up & down  
    the street, their drivers  
    (I imagine) passionately  
    looking for something (or someone?) --  
    or maybe they're envious of the lunchers  
    on the hospital lawn cramming whole  
    meat sandwiches down  
    their gullets & guzzling coke  
    in the midday sun  
    browning their arms & legs & looking  
    smart in white shirts & ties  
    wiggling toes on sockless feet...  
       It's hard to think clearly  
    when thinking of money  
    & what I would do or  
    not do if I ever got  
    my paws on enough of it. Maybe  
    I envy those grim folk with  
    their perfect hairdos & controlled  
    lives bouncing up & down  
    the tree-lined street  
    in their shiny new  
    unattached motorcars,  
    never having to tell their secrets  
    to anyone  
    never having to get out of their cars  
    to clean their windshields,  
    gloveboxes full of dark glasses & money.


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    Elephant

    a circus comes to town  
    on the back of a train  
    of hot ash & red paint,  
    & soon the big paddock 
     
    is full of poles greasy  
    pigs & generators  
    shouting caged men  
    running up & down ropes 
     
    nimbly tugging at canvas flaps  
    the smell of fresh grass  
    trampled ground sweet smelly  
    dung mixed with hay steaming 
     
    out of a body looking  
    like something  
    someone would eat,  
    buckets of water 
     
    & a chain around a leg  
    attached to a thick steel peg  
    belted into the ground  
    with hand clapping 
     
    & thunder clapping  
    & pink faces looking up  
    into a meshed sun  
    following a bale of hay 
     
    into a large mouth  
    hanging on the end  
    of a lump of thick rope --  
    & now 
     
    the head takes a bow,  
    after ten buckets of water &  
    two bales of hay (relying  
    on memory & improvisation) 
     
    & with a pointed stick  
    up its arse the elephant  
    is down on one knee &  
    then the other 
     
    there's a gasp, will he roll  
    over in the sawdust &  
    crush the woman in the pink  
    tights  
     
    flat?  
    will he stand on one leg &  
    go round like sycamore seed?  
    will he spray water over 
     
    his hairy back & into  
    the dark bank of faces  
    just for a laugh?  
    the pinhole eyes 
     
    look frantic  
    (almost mad)  
    someone wants something fast  
    over there, 
     
    the body lumbers in the direction  
    of the pointed stick  
    mounts a small star painted  
    box till all its feet 
     
    cover the skimpy top  
    & its arse pokes out  
    like a giant fig  
    & the skin wrinkles till it can't 
     
    wrinkle anymore, like a  
    pile of ash in a harsh light  
    or a long red train  
    on a hot night


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